一直作(🍅)為米(mǐ )(👷)路斯.科(✒)曼(màn )劇(🥇)本鐵(tiě )三(sān )(🏽)角(另一(yī )位是(shì )(🕋)帕培(🕟)錫,也是本片編劇之一)成(chéng )(🆖)員的艾雲(🌰).巴薩,當然(rán )也(yě )走低度戲(🌫)劇路線(xiàn )(🎲)。同是音(yīn )樂家的彼德與卡洛老友(yǒu )重逢,生活狀況(🕯)大不同,你(nǐ )有伴侶(lǚ )我(wǒ )有家庭,然而都有(🥞)說不出的(✖)不明朗(🚸),唯有以酒與音(😱)樂(lè )代替(🔊)口水(⏺)。全(quán )片推(tuī )展(zhǎn )不問目(mù )的,只在(zài )剎(chà )那(nà )間的(❔)意圖,行(háng )行企企比起(💻)科曼更義無反顧,卻有生(shēng )活淡如流水的(de )詩意(yì )和繆(miù )(🈴)思,叫觀(guān )眾(👃)聯想到二十年(⛳)後的伊力(⛳).盧馬。巴薩鍾(zhōng )愛音樂的(⚾)程度(🌮)不(bú )下於文字(❕)和電(diàn )影,古典音(👊)樂(lè )與民(🚗)間音樂於(🈸)全片(piàn )迴轉(zhuǎn )迴(huí )盪,難(🥋)怪成了奇斯洛夫斯(sī )基十大(😝)心愛(ài )電影之(zhī )一。 (🤔) 康城影(yǐng )展(zhǎn )(🔤)青年評審團獎,美國(🥅)全(quán )國影評人協會特別獎(jiǎng ) 這部1966年(📞)的珍品,是(shì )捷克(kè )新浪潮短暫(zàn )生(🚻)命中最佳作品(⏺)之一。成名(❓)音樂家到(dào )(💑)小鎮(zhèn )探(tàn )訪舊同學,舊同學(xué )是(🧥)個窮音(🈳)樂教(🔬)師,有時在喪(🚪)禮(🐌)上吹奏樂(lè )曲。平(píng )(⛅)凡的素材(🈸)在巴素(🛌)手裡,變出風(🐇)趣(♊)復(👆)罕見的旋律(lǜ ),一部憂鬱的喜(🍝)劇,或灰色喜劇。 - Dave Kehr, Chicago Reader Ivan Passer's (Cutter's Way and Creator) last film to be made in his native Czechoslovakia is about friends – musician Petr and music teacher Karel – reunited when Petr returns to town for a performance. Passer frequently collaborated with Milos Forman and the episodic, low-action aesthetic that was evident in Forman's early work can be seen here. Years of separation have bred apprehension between the two men, and Karel's simmering jealousy makes their meeting all the more awkward. Eventually, the barriers crumble enough for the pair to freely discuss their lives. The film's simple beauty is in the details of the men's reacquainting themselves with each other, discovering each other's regrets and unfulfilled desires. Alive with pathos, humour and insight. Special Award, National Society of Film Critics Awards (🛤) (😡)Its simple city mouse-country mouse story involves the meeting of two former schoolmates as they prepare for a small-town concert. Enlivened by Passer's flair for grotesquerie, this unassuming masterpiece maintains a delicate balance between hilarity and despair. - Elliott Stein, Village Voice Source HKIFF Czech New Wave 2006
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