前身是皇軍(jun1 )(👷)軍港的吳港(gǎng ),戰後(📒)成為船塢工(gōng )人的(🕋)生活(🕟)煉獄。在資(zī )(🤢)本(běn )家(jiā )剝削和枯燥生活的雙重煎熬下,躁(🥩)動的年輕(📿)生命,一(🎲)頭(🎏)栽進暴(🏇)力(lì )漩渦(wō )(😎),延(yán )擱成(🐿)長(🕔),終(zhōng )日(🎩)在打鬥、賭博、酗酒中尋找暫(🛹)時(shí )(🚉)的麻(má )醉(zuì )。吉田喜(xǐ )重(chóng )通過工頭之眼(yǎn ),對不合(hé )理(🐶)的社會現實作出欲迎還拒的批判(pàn ),被視為日本(běn )新浪潮(🖲)代表作之一。香山美子飾演純(🙂)真(📙)的(🔝)酒館女待(🙌),同情工人卻慘被強姦,正與(yǔ )負的能量(🤷),在大時代中比拼互滲,可有超(chāo )越對與錯,是與(🤖)非(⚾)的(🕯)位置?片末火(❕)車站送別一場,在家(💍)和社(shè )會之間,吉(jí )田(tián )喜重(⛏)作出了(🥋)左(zuǒ )(🤷)翼的選擇。 One of the key films ushering in the Shochiku New Wave era, this raw tale of migrant laborers at a post-war naval base simmers with youthful outrage. Responsible shipyard worker Shimazaki (Hayakawa) is put in charge of new recruits from Osaka. The immature gang quickly finds trouble drinking, gambling, and fighting, and eventually trespassing against what Shimazaki holds most dear - local bargirl Nobu. Revenge, honor, and loyalty are all called into question. Yoshida's groundbreaking film portrayed real social issues in an unromantic light, and paved the way for all the cinematic roughs to come. - SummerIFF 2007
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